Luciano Ferrara is a singer-songwriter from Albany, NY, who after several years as a solo artist, recently made the transition to full-band supported act, performing as Luciano Ferrara and the Ensuing Disaster. Also a creative writing student at SUNY Albany, he just finished his undergrad thesis on a book he is writing about lumberjack folklore. In this Access Interview, Ferrara talks to us about the unpredictability of type 1 diabetes and his experience with accessibility as a performer.
Chan Benicki is a queer singer-songwriter, writing songs and playing bass in their band, Porch Cat. In this month’s Access Interview, Chan talks about accessibility both on and off the stage.
Mariah Dean is a 21-year-old avid concert-goer from New Jersey. She graduated from Brookdale Community College in 2018 with an associates degree in audio production. Now, Dean is taking a year off to focus on her health, which has been on a steady decline for the past few years. When she’s not at a show, she’s talking to her plants over at @mafrigsgarden (Instagram). She loves video games, retail therapy, and yoga.
James Cassar is currently managing three bands (Barely Civil, bristletongue, and If Only, If Only) with his childhood friend Rachel Malvich as rumblepak. He is also helping out Take This to Heart Records with label management/A&R and will be launching another venture later this year. You can hear him on the podcast Stereo Confidential, which is the rebranded new home for the award-winning Modern Vinyl Podcast. He co-owns and formerly co-operated the record label Near Mint, and has written for Alternative Press, MTV, and more. He once bought business cards that called him “The Reigning King of DIY” but, truly, you can find him playing Yoshi’s Crafted World after he gets home to Philly from his job in Jersey, if he’s not answering emails.
TJ Hayes has been regularly attending shows in Chicago since 2015. Hayes, who has spina bifida myelomeningocele, checked in with Half Access to talk about their experiences with accessibility, where venues still have room to improve, and advocating for your right to accommodation.