James Cassar is currently managing three bands (Barely Civil, bristletongue, and If Only, If Only) with his childhood friend Rachel Malvich as rumblepak. He is also helping out Take This to Heart Records with label management/A&R and will be launching another venture later this year. You can hear him on the podcast Stereo Confidential, which is the rebranded new home for the award-winning Modern Vinyl Podcast. He co-owns and formerly co-operated the record label Near Mint, and has written for Alternative Press, MTV, and more. He once bought business cards that called him “The Reigning King of DIY” but, truly, you can find him playing Yoshi’s Crafted World after he gets home to Philly from his job in Jersey, if he’s not answering emails.
TJ Hayes has been regularly attending shows in Chicago since 2015. Hayes, who has spina bifida myelomeningocele, checked in with Half Access to talk about their experiences with accessibility, where venues still have room to improve, and advocating for your right to accommodation.
Valerie Gritsch is the community manager for London-based indie label, Xtra Mile Recordings. As community manager, she handles all of their social media channels, in addition to managing their street team and other fan engagement efforts. A New York native, Gritsch is currently working towards her Masters degree at The Graduate Center, CUNY, where her research includes, but is not limited to, music fandom and celebrity studies. The subject of her thesis will focus on celebrity death and how fans create history. Gritsch—whose history of chronic nerve pain eventually led to fibromyalgia and myalgic encephalomyelitis (commonly known as chronic fatigue syndrome)—caught up with us to talk about her experience in the music industry and what adequate accommodations can and should look like.
Brianna Snider is currently a student at Capital University in Columbus, OH, where she studies music technology and is the music director at the university’s own WXCU Radio. She is the co-founder of Blue Salt Records, and plays music under the name saltlick. Snider – who has a mild form of cerebral palsy, as well as scoliosis – caught up with Half Access to discuss her experiences with accessibility as both a spectator and performer.
Enjoy a guest blog post from The John G. Shedd Institute’s Hearing Loop committee in Eugene, OR. Learn about the importance of auditory accessibility in venues and the committee’s work to increase access to looping systems at venues.