Category: Half/Access Info
Hello, and welcome to the new Half Access website!
Half Access is a 501(c)(3) non-profit organization dedicated to making live music more accessible to people with disabilities. Our main project right now is to build a database of detailed accessibility information on as many music venues as possible in order to inform concert goers of available accommodations before they buy tickets to shows. We have also implemented a review system on the submission form as well as on each venue page which will allow for individual experiences to be submitted. This information will aid us in working with venues to assess accessibility concerns and how they can improve accessibility for disabled music fans.
Many venues, particularly smaller, general admission venues, have flights of stairs and no other way inside, or they have access to get inside, but there’s no safe, accessible seating area with a clear view of the show. Other issues come in the form of inaccessible restrooms, intense lighting and strobes without warning, little-to-no accommodations for Deaf and Hard of Hearing guests, minimal staff training surrounding ableism, and more. Half Access strives to change this by opening the conversation between the disabled community and venues while also educating allies (fans, artists, and other industry folks) in the music community.
“Concerts are meant to bring everyone together, but venues are continuing to be stagnant in their accessibility.”
Accessibility affects everyone. You may not always be as able as you are today. You may currently have disabled friends or meet some in the future, and the realities of inaccessibility issues that continue to persist will quickly become apparent as you go places together. If you were to get hurt the week before your favorite artist came to town, you would notice these issues. If you were to develop a disability as you age, you would notice these issues.
Currently, venues aren’t held to a high-enough standard when it comes to assuring that disabled concert goers have the same great experience as everyone else. Concerts are meant to bring everyone together, but venues are continuing to be stagnant in their accessibility despite the Americans with Disabilities Act of 1990 being signed into law 28 years ago.
We want to change that, and we hope you will join us as we add to the Half Access database, communicate with venues, and raise awareness. Let’s uncover the root of the problem and encourage venues to change the status quo and welcome everyone in the communities that they serve.
In order to make these website dreams a reality, we have collaborated with designer Danica Hutchison. It has been extremely rewarding to see our vision come to life and to work with someone who understands our goals and mission, and who is as passionate as we are about equality in music.
And, if our name already sounds familiar to you, it might be because our founder, Cassie Wilson, was the recipient of the 2017 Sub City Alternative Press Music Awards Grant. This website exists because of their generosity, and we deeply appreciate their support.
Thank you to Danica, Sub City, Hopeless Records, Alternative Press, Friends of Noise, Katelyn Almeda, Big Picture Media, and everyone who has supported Half Access thus far.
You can now visit HalfAccess.org to search for your favorite venues in the database and see if they are accessible. If they don’t exist, add your own review.
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Though you may connect Half Access to Luciano Ferrara & The Ensuing Disaster through the interview we did with them or through their participation in Access Live, today we’re excited to be premiering “Lavender & Honey,” the second single from their new EP. Accompanying the new song is a music video by Timeline Visuals. Their new EP, The Hidebehind, is out next Friday, November 15, was produced by A Will Away/Steadfast Studios.
The Half Access mission is to make live music more accessible, and in most of our recent work we’ve focused on the experience of disabled fans attending shows. There’s another huge part of venue accessibility, which is making sure that disabled musicians can access venues. But, before playing shows comes learning an instrument, which can often look different for disabled musicians. I got the chance to interview a few disabled musicians to share their experiences with adapting how they learn and play their instruments in a way that works with their disabilities.
Josh Rosenberg, 24, graduated from UMass Lowell in spring 2017 with a bachelor’s of music in music business. This year marks the first year he has been able to work only in the festival and live music industry, specializing in accessibility, without any side jobs. He’s worked at about 20 different festivals, some just once and some each year over the past four years.